PHONE! Your favorite new tool!

mini project 1: I decided to make a old-timey, analogue horror inspired commercial for a brand new tool called “PHONE”. The video file was too big for the website so I have it linked to a youtube account- I’m linking two versions because I don’t know if one or the other works better on desktop vs. phone.

Martin Heidegger wrote in his work “The Question Concerning Technology”, that we have come to view technology as purely instrumental in its nature. He claims that while this is correct, it is not true. Among other things, we often overlook technology’s effect on the way that we interact with, view, and exist in our world. By viewing technology as a mere tool, we may be blind to the ways in which it is changing how we live our lives. Failing to see technology for all that it is, is an ultimate detriment to not only others, but ourselves.

Martin Heidegger, “The Question Concerning Technology,” in The Question Concerning Technology and Other Essays, trans. William Lovitt, (New York: Garland Publishing, 1977): 16.

created by Marvin using Procreate for the iPad

This one may work better on phone: https://youtu.be/5m13-r0WBRE?si=FIEA_3e1OOPaK22c

This one may work better on desktop: https://youtu.be/CVwjGUoNgJE?si=2vLbCdItwYa0Jz40

Challenging-forth and Poiēsis- what’s the difference? Post 2

Revealing by means of challenging and revealing by means of poiēsis may seem to bring about the same tangible end product, but what about the intangible? I’m going to use the example of woodworking and deforesting. The Heidegger AI and I came up with this example together while discussing the distinction between challenging and bringing-forth. When an artist goes into the woods and collects parts of a fallen tree to carve into a figure, the artist is helping to reveal that figure through poiēsis. When a corporation destroys half of a forest in order to secure resources to mass produce wooden figurines, that product is being challenged-forth. One may wonder why it matters where we get our wooden dolls from, but this goes beyond the scope of which dolls were ethically sourced (although that is very important). If we were to talk about the bringing-forth of the wooden figure as poiēsis, we would look to page 7 of Heidegger’s “The Question Concerning Technology”. From Heideggar’s perspective, the artist would stand by the forest and know that their figure is not only their carving, but also “indebted” to the wood from which it was made, the process of making it, and the very concept of a figure to be carved. The artist is able to see the forest not as something that they take from to create, but as something that allows them to help bring-forth that which was concealed (the figure). This bringing-forth as poiēsis holds that the forest is still a forest in its own right- a co-creator. Now we may turn our focus to the mass-produced wooden dolls. A corporation does not see the forest as a forest, but as a way to make wooden dolls. It has been reduced down to its ability to produce. And further, the consumer does not even know of the forest, or the tree from which it was carved from. All they know is the product in their hands. This is the cause of what Heidegger calls “enframing”, which is to reduce things down so far that all they become is a means to an end, or “standing reserve”. (Heidegger, 17) One may ask again, why does it matter? Well, beside the fact that we should care about the health of our planet, trees are not the only things subjected to enframing. We as humans have also fallen victim to our own enframing, weighting our value only by what we can produce. We have made ourselves into standing-reserve. So, what is the difference between revealing through challenging and revealing through poiēsis? The product may be exactly the same- a small wooden doll, but the social landscape that they create are divided. Challenging sets the stage for everything to be seen as standing-reserve, or a means to an end, while poiēsis recognizes that, that which has been revealed is indebted to those who helped in it’s bringing forth.

-Marvin Stearns

AI Heidegger and Technology Tutor, September, 2024

Heidegger, Martin. The Question Concerning Technology. Garland Publishing Inc, 1977. PDF.

Hey Siri, where did I park my car? Blog post 1

Marvin Stearns

Blog Post Prompt: Write a piece of extremely short fiction (or the beginning of such a fiction) in which technology is thematized and/or problemized in some way.

“What’s the matter?” Asked a small voice from behind me. I turned around to face a girl standing in the doorway of my bedroom. “Oh,” I say. “Just wondering about something.” “What are you wondering? May I look it up for you?” I wave my hand casually at her as I turn back to the window. “No, no. It’s fine. It’s not something you can look up.” I can see her reflection in the glass. She tilts her head to the side, like a puppy. I wait a few moments, but she does not move from her place. “Clara, it’s okay, really. I just thought some quiet would do me well.” “I noticed from the other room that your heart rate went up 15 beats per second. You are stressed. It’s really no good to sit alone with only your own thoughts. It will be much better for you if I put on some music and a calming video. I’ll even go pick out a game for you to play as well.” She hurries off to fetch whatever will do the job of holding my attention, like she was made to do. I wasn’t sure now what I was thinking of. Was I looking out the window for a reason? Was I trying to find something? It’s so hard to remember anything these days. Ever since we were assigned our AI assistants it hasn’t really been a priority- remembering. What’s the point in stressing about that when Clara remembers everything for me? They say those things stress the heart, and I certainly don’t want that. They remember the good things for me, and all the rest falls to the wayside. But sometimes, when I’m alone, I begin to wonder if-  “I’m back!” The voice echoes through my bedroom, accompanied by the sounds of my favorite music. She places a game controller next to me on the bed and stands back, smiling warmly. I love this song. “What was I just thinking about?” I ask the girl. “Oh, don’t mind yourself with that, I have everything ready for you.” “Oh, yes. I’m sure it wasn’t important. Thank you, Clara.”